Friday, November 7, 2025

Post #12 – Character Development Worksheet & How We Used It

 



Characters:

Amara: quiet, creepy, out for revenge.

Jenna: main bully, mean, manipulative.

Kayla: follower, wants to be popular.

Maya: quieter, follows Jenna, kinda sympathetic sometimes.


How I Used the Worksheet:


Honestly, the worksheet helped by writing all their traits down helping me actually plan out the story. Amara being quiet? That meant close-ups on her face, calm walking in the halls, and neutral colors for her clothing. She’s almost invisible, but   when things start going wrong for the bullies. The bullies being loud and mean? That meant I could showcase them in a way that shows they’re in control at first, and then slowly the weird stuff starts happening, the camera may shake a little, lights flicker. You see them lose control.

the Props and costumes were influenced by the worksheet too. Amara’s notebook shows her planning, mirrors show the bullies’ fear, lockers and phones show how the gossip and karma spreads. It helped me make sure every scene matched the characters’ personalities and made the story make sense visually. Without it, I would’ve just guessed and probably made some weird inconsistencies.

Script & Why I Wrote It That Way

 Script: Karma High


Karma High Script #1

 

Fade in ...

Scene: Karma High School (Piper High school)

Wind whispers throughout the flagpoles. The bell rings in the distance.

Students scatter across campus, talking, laughing.

Then the laugher muffles.

Amara stands at the front gate, frozen. She blinks back into reality.

 

Scene: Hallway: morning

Lockers slam, the camera tracks Amara as she walks down the hall, the world slightly out of sync, every sound echoing too long.

Then she spots them.

Kayla. Mya. and Jenna

The bullies, same snares, same tone

 

Kayla: “Didn’t think you’d come here”

Mya: “Guess she likes being a victim.”

They laugh.

Amara doesn’t speak, just stares. Her eyes flicker with something colder than anger.

As she walks away, the lights above her buzz and dim, one by one.

 

Scene: Classroom: day

Amara’s desk is apart from everyone else’s. She draws in silence, the three girls sketched In her notebook, but each face is marked with a different symbol: a flame, a tear, and an eye crossed out.

The page bleeds with ink, literally. It drips down the edge, she touches it.

Scene dims and close up on Amara head down, a faint voice.

Distorted, whispers from nowhere.

“They owe you”

Her eyes snap up. (teacher’s voice sounds far away, underwater)

…End of day.

 

Scene: Montage next day...

Jenna’s phone alarm goes off to wake her, but she first hears her name whispered in her dream which jumps her awake to just her alarm going off.

Maya opens her locker to find a photo of herself sleeping, no one knows who took them.

Kayla mirror cracks when she tries to fic her hair: her reflection doesn’t move with her.

 

Each shot is colder, quieter. The air feels heavy.

Amara passes them in the hall, calm.

When she blinks, the hallway flickers dark for half a second, as if they react to her.

 

Scene: Girls bathroom after school

Kayla mya, and Jenna huddle around the sink whispering.

The room hums faintly, like something electrical is in the walls

 

Jenna: “I think she cursed us.”

Mya: “Curses aren’t real, she just--”

The lights flicker out before she finishes. The mirror catches one flash, 3 distorted faces.

Then silence.

Drip

Drip

Drip

The lights flicker back on, empty.

Only the sound of running water. The camera pans to mirror: all 3 girls reflections remain, but the room is empty. Just the sound of running water remains.

 

Scene: Hallway – Next morning

Police tape seals off the bathroom, students whisper, and phones record.

Amara walks through the halls calmly, close up on ear buds in and music blasting through headphones

Music fades in completely and a voice is heard through the song the voice screeching says “ they never learn”

Her reflection in the glass smiles faintly

 

She opens her locker to find inside a note.

It reads: “Do you feel better now?”

 

She stares at it. For a moment, guilt flickers. Then it’s gone.

 

Amara (softly) “Karma always does its job.”

 

She closes her locker. The camera holds on her face (unreadable expression)

 

The lights above flicker, then go out completely.

 

BLACK SCREEN.

 

Whisper: “Your turn.”

 

TITLE: KARMA HIGH

 

FADE OUT.

 

 


Why I Wrote the Script This Way:


Okay, so when I was writing Karma High, I really wanted it to feel creepy and tense without being over the top. Like, I didn’t want it to just be “oh scary girl appears, goes on a killing spree etc.” stuff. I wanted the suspense to build slowly, so the audience is kind of on edge the whole time.


The opening at the front gate, was meant to help make you feel like Amara is frozen in her own little world. Everyone else is moving, laughing, socializing but she’s not there yet. as if you get stuck in her head for a second.


The hallway scene with Kayla, Maya, and Jenna, I kept the dialogue super short because I wanted the actual scenes to carry the tension. The flickering lights, the echoing footsteps… all that which makes it scary without saying “boo.” In the classroom, the notebook with the ink “bleeding” is just a visual way to show that Amara’s thinking about revenge. I didn’t want to have her go on a monologue about it, I just wanted it to be obvious, but a bit subtle.


The montage was my favorite to write. Each girl experiencing her own creepy little thing throughout different times of the day (alarm whispering names, mirrors cracking, photos appearing) as if karma is hitting them one by one. It’s supposed to feel like the school itself is turning against them.


in the bathroom scene is the scary peak, I guess. Flickering lights, the distorted reflections, and the dripping of water, all that was put together to make you feel like something is off, even though nothing actually appears touching them or even interacting with. The horror is implied, personally finding way creepier.


Although, the ending was a bit tricky. I wanted the audience to feel uneasy, so I left it open with the note and whisper. Amara is calm, almost smug, but you’re left thinking, “wait… what might happen next?” , never knowing her next move.


Honestly, I wrote the script more so with visuals first, then the dialogue. Every scene, sound, and prop is there for a reason. I kept asking myself, how can I make this tense without showing anything graphic? and that’s how the script came together.

Post #10 – Lighting & Color Palette

 Lighting is one of the most important tools in psychological horror. It helps decides what’s visible and what isn’t.


In Pretty Little Liars all the shadows and colored lights add emotion to every scene. The Conjuring also uses low-key lighting that hides certain parts of the set, forcing the watchers to imagine what’s there. Both create suspense without actually showing any graphics.


What I Learned About Color in Horror?

Red represents danger or revenge.

Blue/Gray adds sadness and cold tension.

Neutral tones keep it realistic but uneasy.

Lighting can also match emotion — bright when calm, dim when danger is near.


 How We’re Using It in Karma High?

In Karma High, the lighting will be mostly natural from the classroom lights, windows, and hallway lamps, although we’ll darken certain scenes slightly to make them feel off.


Post #9 – Camera Shots & Angles

 Camera movement and framing help decide how the audience feels. A normal hallway shot can look calm or terrifying, depending on the way that it is filmed.


IMG_9414.webp

  • Each shot type builds a different emotional reaction.


In movies like The Invisible Man and Us, directors use wide shots and long takes to make the viewers view the background just waiting for something to move. Close-ups, on the other hand, make fear feel personal.


Camera Techniques Used in Horror:

Close-ups: show emotion in the characters’ faces.

Tracking shots: create a feeling that someone unseen is following.

High angles: make the character seem weak or exposed.

Low angles: make the danger feel overpowering.


How are we Using It in Karma High?

by using over-the-shoulder shots and slow tracking to make it seem like someone is always watching Amara. When tension builds, the camera will move closer, showing her fear through her expressions instead of dialogue. The goal is for the audience to feel just as paranoid as she does.

Post #8 – Logo Design & Studio

 The logo plays an important with how the audience feels before the film even starts. Horror studios like Blumhouse and A24 set the tone with their logo, it’s usually short, dark, and tense.


IMG_9411.jpeg


  • Horror studios like Blumhouse and A24 use minimal, eerie logo designs.”)


Blumhouse, for example, uses flickering lights and shadows in their logo animation, which instantly creates a sense of fear. A24’s logo is quiet and slow, which gives it a slight creepy kind of calmness.


What did I Learned from My Research? 

Horror logos are short and simple but intriguing.

The best ones use minimal animation but just enough to create tension.

Colors like black, red, and gray work best to suggest mystery or danger in the horror film.


IMG_9413.jpeg

black and red color tones for a horror-inspired logo.


How are We’re Using It in Karma High?

For my production logo, I created Shadowframe Studios. The name appears in white text on a black background, with a quick flash of light passing behind the letters before it fades out. It’s clean, simple, and what i want the mood to be before Karma High begins.

🎬 Post #7 – Fonts

Hello! I have a Question…

When you watch a movie title appear on screen, what’s the first thing that catches your eye ? the sound, the color, or the font? Fonts might seem like a small detail, but they actually set the tone for the entire film.


Why might Fonts Matter in a Film? 

when researching horror film beginnings, I noticed fonts are almost never basic. They usually ranging from thin, glitched, or uneven, which instantly makes the audience kind of feel 

-The Ring (2002) uses a glowing, minimal font to build suspense.


In The Ring and Gone Girl, the fonts are simple but concerning, the letters almost fade into the background. On the other hand, a movie like Mean Girls uses bright, bubbly text that tells you it’s going to be more on the lighthearted side. Fonts show a preview of emotion before the first scene even starts.


What I Learned from My Research

Fonts with rough edges or fading effects make viewers uneasy.

Minimal fonts on black backgrounds look more serious and professional.

Avoid fonts linked to brands or franchises.



  • Simple fonts help horror films feel grounded and tense.


How are we Using It in Karma High?

For Karma High, I want the title font to feel eerie but still clean. I plan to use a distorted font with a faint flicker or static effect. The letters will appear one by one, timed with a soft hum in the background. To try and get the title to feel like it’s quietly warning you, before anything even happens.



  • Early concept for Karma High title font simple, tense, and glitchy.